History, despite its wrenching pain, cannot be unlived,

but if faced with courage, need not be lived again.

Maya Angelou

 
 
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Only You Know What You Set Out to Achieve

The one thing I've learned during my brief stint as a writer is to try not to overreact to any review or criticism. It's difficult, but not impossible. It boils down to having confidence, in not only what you do, but also who you are. If what you do is write, someone is not going to like it. You can count on that.

I have worked as a graphic artist for many years, and grown to accept criticism. I doubt if I'll ever enjoy it. I've had clients look at a design and call it garbage. In my thirties, those comments were painful, no make that devastating, but I've come to learn they were not criticizing me, even if that's what it felt like. Over time, I put those comments in a mental file cabinet, in a file marked 'Growing Pains'. That became one fat little folder over the years.

I don't mean you shouldn't celebrate good reviews and be unhappy with less than stellar comments—you should, but they shouldn't influence your writing, or your core being. Those things belong to you no matter how many cheer or criticize. The following is an excerpt from my forthcoming books: 'When it Stopped Raining'.

'Danny burrowed her fingers in the cool, wet sand and thought about a story her mother told her as a child.

A little girl dug a hole in the sand and began carrying buckets of water from the lake and pouring them in the hole. Every time she went back to the hole, the water disappeared, but she returned to the lake and brought more. Finally, someone sitting on the beach watching, looked at her and said, 'little girl, what is it you're trying to do?"

"I'm putting the lake in this hole." She politely told him.

The stranger knelt next to her. "You won't be able to put the lake in there, honey."

The little girl shrugged and brought more buckets of water. The stranger told her again, "Little girl, you won't be able to put the lake in that hole." She looked at him, a little puzzled, "I already have put the lake in there," she said. "You didn't think I meant the whole thing?"

When her mother told that story the first time, it made no sense. Then she explained that people would judge her and measure her life by their expectations, but only she could decide whether she failed or succeeded. Only she knew what she had set out to achieve, and whether or not she achieved it.'

I think Danny's mother was right.

 

Women Pilots and Factory Workers

 in World War II

The Women Airforce Service Pilots (WASP), was a non-military organization in WWII, which throughout its existence, Congress maintained was an experiment. Politics ended the experiment suddenly and with little notice, but that did not detract from their work or their remarkable determination to fly. Twenty-five thousand women applied to the program. Almost two thousand qualified and entered training. Successful graduates tested and ferried military aircraft and completed other piloting jobs to free up men for active service.

They transported every make of airplane in the American armament, which included training, pursuit, and transport planes, along with fighters, and bombers. Some WASP received orders to fly planes that males had refused to fly, such as the B-26 Martin Marauder, also known as the 'Widow Maker'. The hope was to shame the men into flying them. Although the ploy successfully made men feel 'if a woman can do it, anyone can', eventually even the Army recognized how degrading that attitude was to the women pilots.

After the complete their training, the WASP lived and worked at one hundred and twenty bases around the country. They wore uniforms that followed strict military code and took orders as if they served in the armed forces. They didn't. They had no life or accident insurance, no death benefits and could not be buried in a military cemetery or receive a burial with flags and honors. WASP could achieve no rank of significance outside their organization, nor could they give orders to men. Federal law prohibited women from flying military planes into combat or outside the boundaries of the United States, still, thirty-eight WASP died serving their country.

World War II was an interesting time for women. While a woman wearing trousers in public still faced possible arrest by a crabby police officer, (in some places pants were illegal on women) two hundred thousand enlisted in the military and twelve million, many who had never worked outside their homes, took jobs in factories, shipyards, offices, and as civilian workers on military bases.

These women preformed jobs that no one, often even the women themselves, expected they could do. Many worked in familiar roles such as sewing flags, uniforms, and parachutes, but others were mechanics, cryptographers and of course, the most famous, the thousands of Rosie the Riveters. They became a symbol for all the women workers.

When the war ended, most women returned to their lives at home, though some continued to work. The unspoken rule in Washington, D.C. was that the role of women in the war receive little attention. The military feared that women might believe they could continue to do the jobs. After the WASP 'experiment' ended, the Pentagon ordered their files sealed. For over thirty years, no one talked, wrote, or learned about the pilots, and few were interested in the women who literally kept 'the home fires burning' while they worked in defense plants and shipyards.

That's changed. A great deal of information is available. To see if Congress ever recognized these fearless women or if you're interested in learning about any of the heroines of WWII, go to http://www.wingsacrossamerica.us/wasp and rosietheriveter.org. I found learning about these women uplifting, particularly in our present state. It's helpful to see examples that take me beyond my perceived limitations. Reading about the courage of these women did that and more.

 

Where Do You Go When You Create?

Most schools teach that there are five senses: sight, hearing, smell, taste, and touch. I'm not a scientist, so I'll offer the existence of another sense as a hunch-the creative sense, and the processor responsible for deciphering the sensory input-the soul. All people have the sense, but just as with the other five, some of us are creatively impaired.

People fully aware of their creative sense tend to feel awkward in the world. They may work in it, or spend a large amount of time with non-creative people, but it isn't comfortable and it certainly isn't fulfilling. Often, it's simply necessary for survival of the creative body.

What about survival of the creative soul? What experiences lighten the load or replenish the energy? I have found over the years a short list of things that work for me: walking, sketching, writing, and playing my guitar. Writing is on the top of the list.

"I started writing a little later in life just as you did. When I made the decision to try, it wasn't because I suddenly wanted to become a writer, but because I couldn't deal with my life any longer. I was always sensitive to noise and things that went on around me, but suddenly everything seemed grimmer and people unhappier. What I really wanted was to run away, but I knew how unrealistic that was.

"I tried to escape into television but it too had become extraordinarily violent. Every time I changed a channel, I saw a dead body. Outside of a few funerals that I'd attended in my life, that wasn't an everyday experience for me. I started to write stories almost in defense, stories that were about living instead of dying, of loving instead of hating. It helped me feel a little more in control of things."
"I know exactly what you mean, but wouldn't you like other people to read them?"

Donna's ambivalent shrug mirrored her words. "I'm not sure. Liz, where do you go when you write?"

"You mean do I have an office or a favorite coffee house?"
"No. I mean, what happens in your head when you start to write."

"Oh." Liz leaned back on her hands as she gave the question some thought. "Sometimes I think I leave the earth, other times, I'm convinced I leave my body. Is that what you mean?"

"Yes. No matter how overwhelmed I am by life, the moment I begin to write, I'm happy, sometimes joyous. Even if the story I'm writing is in an unhappy place, I'm so elated it's as if someone gave me an injection of a drug. At first, I thought it was a fluke, but no matter what is happening in my life, or how confused I feel, when I write, I'm alive. Not just alive, but wonderfully alive."

The above is from 'Murder at the Littlecrow Lodge', which will be published in 2009. I ask you, how could Donna not write? How, in a world as complex as ours, could she not want to feel alive, 'wonderfully alive'.

I share her feelings about my own writing. It isn't a matter of wanting to do it anymore. I have no choice because the survival of my soul depends on it. I recently read a book called 'The Highly Sensitive Person', written by Dr. Elaine Aron. I recommend it and her web site www.hsperson.com to anyone who struggles with fitting into the aggressive societies we call home. I found immediate comfort in the number of people who felt the things I've felt my entire life and thought were failings. How nice to know that they're not.

I no longer doubt that I'm a creative individual. As long as I can remember, I've picked up pen or pencil to write or draw and listened to the flow of thoughts and ideas that seemed constantly to fill my mind. It took me a long time to understand what all that information meant, and what to do with it. A creative person must create. It's as simple as that.

 

What Does 'Tsk' Mean Anyway?

People are angry. I don't think anyone is surprised to read those words. I wanted to write an article about healthy ways of dealing with other people's anger, but before I could start, I had a few chores to do. I decided to use the time to plan the story.

My first chore meant a stop at a large discount store to pick up a few office supplies. I try to park far away from stores and walk, for a couple of reasons. Both because I need the exercise and I have no desire to fight with aggressive drivers, determined to park near the door.

I gathered my products and went to a self-checkout counter. As I scanned the last item, I realized the total was at least $50 more than it should have been. I didn't have many items and could quickly see, there was a $50 charge that wasn't for anything in my bag. I began my search for someone to help and heard the people in line behind me begin to grumble. Finally finding an expert customer service representative, I showed her the problem.

"What did you do?" She asked.

The grumbles got louder and my face flushed. "I scanned my items, but this one's not mine. Take a look."

She tsked and looked at the growing line of customers apologetically, if rolling her eyes and cocking her hip was an apology. Then, slowly, she removed the products from my bag one at a time and dramatically waved them over the scanner as she punched in her secret manager's code. I thought she was finally convinced that the error wasn't mine, but noticed her eyeing my purse. I hate shopping and the thought of starting again kept me from walking away, also, at that point, I expected an escort to a dark room for a full body search. Everyone attending this drama apparently thought I should have paid the extra money and walked away. Everyone except me.

On the way to my next chore at a grocery store, a man pulled a shiny new Lincoln in front of me. I had to hit the brakes and my office supplies once again left the bag. He proceeded to slow to answer and talk on his cell phone, even though talking on a cell phone and driving is illegal in our city. "Little care I for the law," says he. I don't think he was even aware that there was another car on the road.

Knowing I neared the end of my chores cheered me and I brought my basket to a checkout counter and waited in line. I wasn't going to fall for that self-checkout scam again. Let the error be the clerks fault. As I neared the register, I noticed the milk carton leaked. I showed the clerk and, guess what; she tsked. "I'll run over and get another one," I told her and looked at the disgruntled faces in line behind me. They may have been the same people I saw earlier. Of course, by the time I ran for the replacement and returned to the line, everyone had 'that look'. I almost apologized for complaining about a leaking milk carton.

The drive home was to be a chance for me to organize my thoughts about the article 'how to deal with angry people'. Instead I thought about a $4,000 dentist bill that I had to put on a credit card only to end up with a toothache and advice to have a specialist do surgery on the tooth. I thought about the $500 I spent for a pair of glasses designed to self-destruct two days after the warranty ended. Another credit card purchase. I thought about the fact that no matter what something cost, and no matter who wants to take my money, I'm not supposed to be upset. I'm not supposed to complain.

When I put away my purchases, I sat down at the computer, ready to start the article. The phone rang. A woman from a firm that does television ratings wanted to take ten or fifteen minutes of my time to do a survey. No, she didn't offer to pay me for my time, buy I was quite sure that the survey would somehow make them money. I said no, and before I could explain that I didn't watch television, she asked, "Do you know who we are?"

Asking her if she knew who I was would have been childish and petty. I almost did, but instead looked at the phone and set it down gently. My remarkable self-control kept me from slamming it on the desk, that, and full credit cards that couldn't buy a new phone. I mentally cracked my knuckles and started to type. 'How to deal with angry people…' The next part of the sentence made me smile…'when one of them, is you.'

It wasn't an earth shattering revelation, but it brought a sense of relief. I don't have control over anyone but myself. Except for staying out of the way of someone angry enough to hurt me, my anger is the only one I can or need acknowledge. Deep breaths, focusing on things that matter and doing what makes me happy, help diffuse any anger that creeps in. My ultimate goal is to not have anger. I mean, what does 'tsk' mean anyway?

 

Beyond White Bread in the World of Publishing

Recently, my brother, RH Sheldon, posted an article called 'Writers—Cheap, Easy, Expendable'. In it, he discussed where writers landed in the publishing heap. Yep, on the bottom. The statement that struck me as the saddest and most telling was, 'without writers, many in the industry would end up baristas at Starbucks'.

I have long been a proponent of print on demand, and it truly allows us all a shot at finding readers. Remember, the primary relationship is between readers and writers, not publishers, agents, or distributors. If writing is the goal and selling what you've written the bonus, than self-publishing is the solution. If you haven't been able to get beyond a query letter, maybe you should look into it. You won't need a large financial investment, but you will need to spend a great deal of time trying to reach your readers. This, of course, is separate from the time you spend writing. If what you have to offer is readable, you have a shot.

Most people, across the board, are willing to admit that the industry is in bad shape. I am not saying that the people published by the large publishers don't deserve it. They are just not the only ones worth reading. Do the big guys really believe that people only want to read the books that they select? More importantly, do you believe that? Is it possible that people simply don't know what wonderful authors are out there waiting for readers?

I went to the library the other day and saw four shelves of books by the same author. A friend of mine who has spent a great deal of time in libraries over the years, both working and hanging out, said it is what readers want that fill the shelves. They are removing many classics to make room for 'popular' books. Now that is scary.

It's not unlike any other product marketing. You go to the grocery store and on the bread shelf, you see one companies' products. They sell white and wheat bread. You choose what you want from the choices available and go home. You chose wheat bread, and after a while you and your family are not only used to it, but like it. The next time you go to the store, you go right to the wheat bread and fill your cart. You don't even notice the little upstart company that has a tiny part of one shelf selling sour dough and rye bread. Soon, the store sees the little upstart company isn't selling anything. Rather than give them more space, they discontinue their products. They never had a chance, but the little upstart company regrouped. They began to sell only online. Slowly they developed their line of breads and became popular. Guess who tells them they'll give them a whole shelf to themselves, only if they receive seventy-five percent of the profit.

Okay, back to the library. What if it is what readers want. Is it what they really want, or is it because they don't know there's sour dough and rye bread available? You can't blame the librarians. Every book publisher in existence pitches them, and it would be physically impossible to read the number of catalogs, brochures, and books that pile up on their desks. They have to trust someone, and go by what their readers want.

Not many self-published authors have the money to run full color ads in papers and magazines, and often times it is even too expensive to find a cooperative catalog they can afford. Let's assume that the self-published author is in the same league as the author who has four shelves, or maybe even better. What do they do?

Today, I can see only one level playing field—the Internet. Though it is often like shouting in the wind, at least there's a chance someone will hear you. You certainly have nothing to lose by trying. I don't see publishing as a whole improving anytime soon. There's far too much money involved, but people who have a passion for something don't give up. It isn't a question of 'will I', for most of us the question is 'when'. As long as there have been powerful people running things, there have been groups of people considered less powerful, battering down the gates. I say we grab a couple of poles and start.

Read RH Sheldon's article, 'Writers—Cheap, Easy, Expendable'

 

 

 

 

 

The Next Voice You Hear

For some time I've shared my brain with a loud, intolerable voice that I've wanted to quiet. It inhabited a place that I couldn't access, and said things like 'who are you trying to kid, you can't do that'. 'What's the matter with you? You're way out of your league'. The sad thing is that I often believed it. The voice sounded so confident, so self-assured, and it was persistent. When I first open my eyes in the morning, or when I tried to fall asleep at night, it reminded me of failures and defeats. I figured it had some inside information.

Three years ago, I started writing. The voice was just as loud and just as confident when it snickered at my newest endeavor. It directed me to sites on the Internet that pointed out the number of people who wrote books, and the number of people who published. It asked if I seriously believed I could write anything that another living being would want to read.

This chattering pessimist reminded me that the average writer trying for their first publication was about thirty years younger than my fifty-six years. Of course, it couldn't let me forget that I'd barely made it through English classes in high school and college. I know it kept track of these things because this voice never forgot—anything.

Finally, I screamed, 'SHUT UP', surprising the voice as much as I did myself. It started again immediately, but I noticed it didn't have quite as much steam. I screamed again and saw it weaken. I continued to yell to take away its power.

I'm sure many of you who are old hands at writing, still remember when your love affair began, and how powerful a relationship it was and still is. I've done many things in my life, but nothing has so quickly become a part of my being as creating people, places, and stories to share.

The voice remains packed in a box, wrapped in layers of duct tape to mute the discouraging words. It's still ranting and might even be telling me I'll never make it as a writer. I won't listen. I can't. I am a writer and the next voice you hear, could be mine.

 

 
 © Jean Sheldon 2008

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